Jeff Lorber
“I think it’s easy to write music but it’s hard to write great music,” confesses trailblazing and Grammy-winning keyboardist, composer and producer, Jeff Lorber. “I am always looking for inspiration, and it doesn’t take much for me to drop whatever I’m doing to chase an idea for a new song if I hear something that inspires me.”
A consummate musician, Lorber’s passion, technical wizardry, forward-thinking and earnest approach, and sheer musicianship, have inspired legions of musicians for over five decades. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, Jeff Lorber is also one of the most in-demand producers in Contemporary Jazz. Lorber recently releases his latest inspired work on Shanachie Entertainment, The Drop, an album of originals which unites him with an all-star cast including bassist and longtime Jeff Lorber Fusion members bassist Jimmy Haslip and drummer Gary Novak, guitarists Paul Jackson, Jr. (also a member of Jazz Funk Soul with Lorber and Everette Harp), Snarky Puppy's Marc Lettieri, bassist Cornelius Mims and saxophonist David Mann, among others.
Lorber’s goal for his anticipated recording was simple. “I focus on making music that’s fun, exciting and fresh that I enjoy, and that I hope other people will feel uplifted and energized by when they listen to it,” shares Lorber, who is a big fan of audible and kindle books, with a keen interest in science fiction and detective books.
Jeff Lorber’s 30th album as a leader was truly a labor of love and adventure seeking opportunity. “I make it a point not to duplicate stuff that I’ve already done, but instead use each album I make as a chance to develop in new areas.”
The Drop opens with the exhilarating title track and first single. Make no mistake Lorber and company came to play. thrilling opener feels like a live track rather than studio session. The soulful, bluesy, and head-nodding affair swings hard and Lorber’s keys leave nothing unsaid. It is as funky as it gets. Flanked by the hard-driving drums of Gary Novak, the horns of David Mann and Randal Clark and guitar of Paul Jackson Jr., the band locks in and does not let up.
“‘The Drop’ was sort of a Rhodes improvisation over a Bb blues that I turned into a more organized production. I loved the spontaneous feeling of the demo, and I wanted to retain that. Randal Clark, a talented sax player from Utah that I’ve been collaborating with for a few years, is featured and did a great solo on the bridge. Dave Mann really came through with an exciting horn arrangement that added fat sophisticated harmonies to the funky melodies that were already there.” The tune “Altered State,” follows with a more contemplative vibe, showcasing a floating melody, modulating chords, and alternating rhythmic patterns.
Lorber’s “New Mexico,” is a composition that he originally started some time ago but decided to resurrect for the album. “I have loads of stuff that I start and don’t finish. I’m always ‘mining’ my old Pro Tools sketches to see if I hear something that I like. I think the secret is always to be involved in music and to try and find things that have the potential to grow into something special.”
